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This chair is designed to match the smaller
chair in the
'Yorkshire' series. The construction is similar. The side
frames are finished so that the outside surfaces are flush.
The tenons of the under-frame are revealed and accented
with the contrasting colour of the yew wedges.
The dimensions of the components in the chair-back create
pleasant control of the proportions of the framework. The
intervals of space and the chamfered edges provide a pleasant
symmetrical rhythm. A carved Yorkshire Rose is a feature
in the chair-back. The decorative use of the stopped chamfers
and the single carved Yorkshire Rose are typical of Peter
Leonard Bailey's work in oak.
The arms of the chair have upper surfaces, which are broad
and flat. They are supported with knee-like brackets to
the chair-back and extensions from the sub-frame at the
front. These curved extensions pierce the arms and provide
more interest where their end-grain is exposed in the precision
cut mortises.
The careful and accurate joinery employed in making this
chair is immediately obvious. The chair is comfortable and
practical, and its appearance is very pleasant. The underside
of the chair is just as carefully finished. Hand made brass
'buttons' (expansion plates), secure the seat to the frame
of the chair. In evidence too, is the signature mark of
the maker; a small newt, carved in yew and attached to the
underside of the seat.
The finish of the chair does not hide the natural blonde
colour of oak. This is achieved with tung oil, which tends
not to darken with age. This finish is durable and easy
to maintain.
The woodwork is pleasantly smooth to touch. It is a characteristic
of the furniture of Peter Leonard Bailey, in that it provides
for the senses of sight and touch.
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